![]() Pick a genre, any genre, and someone somewhere will be plucking or slapping some epic bass tones that fit perfectly. No other bass can cover as much ground as the Ricky 4003S. Read the full Fender American Ultra Precision Bass review Best for vintage tones It ain’t cheap but the smart new finishes, the player-friendly amendments (improvements?) to an all-time classic and the tones are worth it. The Ultra Noiseless pickups are an excellent pairing also, with the punchier Vintage Jazz single-coil in the bridge position offering a nice counterpoint to the rounded warmth of that middle position split-coil. The American Ultra body is also more heavily contoured across the back, with a newly sculpted heel allowing a free pass to the upper frets. You’ve got a choice of an alder body or ash, retro pick-guards in three-ply mint green or 4-ply tortoiseshell.īut with a new Modern D neck profile, the 10-14” compound radius fingerboard, HiMass bridge, lightweight tuners and a newly designed preamp, it’s an altogether more contemporary proposition. It is unmistakably a P-Bass the classic silhouette is present and correct. The American Ultra Series’s approach presents a more evolutionary than revolutionary approach to modernising Fender’s top-line US-built instruments, and we think they found the sweet spot. tip-top, and it ain’t light but the balance feels pretty much bang on. The build quality is what we would expect from a South Korean Schecter, i.e. The extra jumbo frets reward a light touch and the neck-through build, which sees the neck dissolve into the body, leaves a heel that offers zero resistance to your reaching the summit of that fretboard. Scoop the mids for some effervescent slap, or boost them and the treble for some really up-front, bass-as-a-lead instrument tones. What will you use it for? Well the six-string format makes possible all kinds of progressive and outré jazz-funk styles, and the EMG 45Hz humbucker pairing and comprehensive 3-band EQ let you dial in pretty much whatever you want. Sure, a nut width of 54mm might bring tears to an avowed four-stringer’s eyes, but the neck’s thin C profile is shallow enough to ease you in and help adjust to all that extra fretboard territory. The Stiletto Studio 6 challenges the notion that the six-string bass can feel a little intimidating, that it’s perhaps a niche instrument, with an exclusive price tag to boot. And they’ve got individually adjustable pole pieces, just in case the switches and EQ didn’t present enough choice. Those US-made G&L MFD humbuckers are overwound with a ceramic core and they’re powerful. But it’s the pickups and electronics that people will ask you about after the show. The Saddle-Lock bridge is a Leo design, neat, sturdy, and a solid platform. If the switching and EQ controls seem a little esoteric at first – and you’ll have a fun time finding the sweet spot – the performance of this modestly priced four-string puts it firmly in the workhorse category. This jemmies open the sonic possibilities even before you get to the two-band EQ. There’s a trio of knobs, a trio of toggle switches, and a cornucopia of tone options to be had here – toggle between active and passive modes, between neck, middle or both humbuckers, and series/parallel mode. What blew minds then and still does is the switching system. Best for versatilityĪs the name suggests, the Tribute L-2000 is a replica of its Leo Fender-designed namesake that debuted in 1980. This allied to the clever 45-degree string-through bridge helps set the BB435 apart. The build is exceptional throughout – this is a bolt-on but the six-bolt miter neck joint is so strong you might swear it’s a string-through. The BB435 would make a superlative choice for any player looking for their first five-string. ![]() There are certainly more detailed onboard EQ shaping options on a bass guitar, but few as simple or elegant. The BB435 is an absolute hoot to play, lively, dynamic, and it has a fuss-free control system where a master tone serves both pickups and you can adjust the balance via independent volume controls. ![]() Now, Yamaha does a very neat line in pro basses – the BBP35 is an exceptional top-line version of the BB435 that we’d recommend in a heartbeat – but this is an exceptionally priced instrument. The BB435 nails that vintage-modern vibe, and like all great instruments it has a timeless quality, capable of holding its own in any company. ![]()
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